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Some think that rather than being a time for reflection, the five days are disrespectful https://gardeniaweddingcinema.com/latin-women/uruguayan-women/ to the patient and stigmatize her, because they challenge a decision that has already been made. “Improving access to the different services and the interaction among them, for example, with the administrative side, nursing, medical staff, laboratory, they should have periodic meetings to fine-tune issues. Administrators and doctors see voluntary termination of pregnancy in totally different ways.” . A loan of $4.1 million and non-reimbursable financing of $1 million seek to contribute to the achievement of gender equality, benefiting more than 40,000 women, youth, boys, and girls in the country.

  • Almost a decade earlier, in 1917, Luisi organized the conference “Cinema, a School Ally,” held in the Biógrafo Uruguayo, which was conceived to be laboratory for testing the potentialities of films projections in pedagogical contexts.
  • This is to my knowledge the earliest map to depict women’s political rights across the globe.
  • Uruguayan Women Have No Rights.”] Countries where women had full or partial voting rights are shown in white, and those where women lacked these rights—including almost all of Latin America—are in black.

In the early 1900s, under the leadership of President José Batlle y Ordóñez, the nation achieved political stability and implemented social reforms. A period of prosperity that lasted until about 1950 transformed the country into ”the Switzerland of South America.” Change in the international markets and an oversized government created economic hardship in the 1960s. Political instability ensued and, compounded by civil unrest and the appearance of the Tupamaro guerrilla movement, culminated in a coup and a military dictatorship in 1973. The new democratic period started with the 1984 presidential election.

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On the other hand, it has started considering women with no direct feminist or progressive agendas, integrating different strata of society and political positions into the conversation. The first section of this essay situates my research in relation to several key feminist film historiographical interventions in recent decades. Responding to the calls for wider fields of inquiry, I embrace the need to look at practices where female action was relevant but was not sufficiently considered. As I will show, this is particularly important when rethinking Uruguayan film historiography more broadly.

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“If you already did it once, why are you going to do the same thing again? Once is fine, but those who do it two, three, four times, [it’s] like they kind of do it just for fun.” . “I’m against abortion, so it was a very difficult decision to make and to this day it still weighs on me.” .

Indigenous groups are also severely underrepresented, although there is a currently a grassroots campaign that aims to gain formal government recognition of the Indigenous Charrúa people. According to one newspaper chronicler, Luisi achieved this successfully by combining her speech with the screening of scientific and industrial films in front of an audience comprised of mesmerized children and prestigious intellectuals of the time. Remarkably, one article also offers photographic “proof” of the children’s interest. In the booklet, these twelve public figures were asked to write brief statements endorsing the ambitious project to reduce the hegemony of foreign cinema. This is the only known example of Uruguayan women openly advocating for a national cinema.

As cinema as a social phenomenon grew stronger, middle-class women were attracted to its potential as both an object of intellectual reflection and as a possibility for work and emancipation. This is true, to varying degrees, for women writers and intellectuals and for female musicians who accompanied films in theaters. In general, health professionals saw abortions as difficult situations for women; as an experience that no woman wants to have to begin with, and certainly as one that none would want to repeat.

I am very happy and grateful to the Shecodes Foundation for allowing me this wonderful opportunity and showing that one is capable of anything when one sets his mind to it. Eager to continue on the path of coding with Shecodes Foundation, for more challenges and continue growing in this world of code. Please help us spread the word about the SheCodes Foundation Program for Uruguayan Women by sharing this picture below on your social media and within your network!

There certainly is a level of animosity in some aspects, but I would say that if anything, Uruguayans are very comfortable with Argentinians most of the time. Women in Uruguay have 100% equal rights to men, across the board, no prejudices or restrictions.

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If you continue to experience issues, you can contact JSTOR support. And finally, Tatiana Oroño (b. 1947), the youngest poet in this portfolio.